Beyond Pressing Play: Tools and Strategies for High Quality Reformatting of Field Recorded Materials
Andrew Weaver and Libby S. Hopfauf
Spectrogram: X axis is time, Y axis is frequency, Color is Intensity
I will have a few Spectrograms - here is how to read them! This was two simultaneous waves - one going up in pitch, one going down (would sound terrible). Actual sounds would be the same,but more complex - not so perfectly isolated!
Higher Frequencies Boosted On Recoding
Right is 'normal' tape - no Dolby on playback OR recording. Left is recorded with Dolby B - note the increase in higher frequencies! Sample audio was 'Seattle' by The Fabulous Wailers!
Then Reduced on Playback
Left is 'normal noise reduction' - applied on both recording and playback high frequency reduction strives to leave boosted original signal while lowering noise. Right is Dolby de-emphasis applied to flat non-Dolby recording. Note loss of high frequencies since not boosted on recording!
Left to right:original, lowered HF, raised HF
Extra high frequencies make tape sound 'brighter'. Lowered high frequencies make tape sound muffled/dull.
Before (L) and after (R) removal of felt pad
Used brand new semi-pro tape and pro player - difference is VERY subtle, but note slight loss of high frequencies after removal of pad.
Note slight loss of high frequencies
Subtly different! If this tape had actually been old with some warpage, presumably difference would be much more pronounced.
Sticky tape? Sticky pad?
Example of tape grinding to a halt - if this was open reel would assume Sticky Shed - in Cassette could be problematic tape interaction with pressure pad! (Yes, that is me in the fourth grade recording a book report)
"Once the demagnetizer is around 70 mm away from the head, it doesn't matter how you move it around and turn it off."
McKnight, J. G. (2005, February). Demagnetizing A Tape Recorder . Retrieved from https://web.archive.org/web/20080723125605/http://home.flash.net/~mrltapes/mcknight_demag.pdf
Always worried about 'how far' before unplugging I usually back up around four feet- John McKnight of Magnetic Reference Laboratories states after 70mm you are fine!? He knows more than me! But still... :-P
What is DV?
Originally known as DVC (Digital Video Cassette)
1/4-inch metal evaporate tape
High quality digital video
4:1:1 in 525-line (NTSC); 4:2:0 in 625-line (PAL)
Image: DV tape sizes 2 (Uploaded by grm_wnr) CC BY-SA 3.0 via Wikimedia Commons
DV Compression
Discrete Cosine Transform (DCT)
Lossy
Intraframe compression
Adaptive interfield compression
Approx. 12 GB per hour of video
Image: DV tape sizes 2 (Uploaded by grm_wnr) CC BY-SA 3.0 via Wikimedia Commons
Data Stream
Provenance metadata contained within DV videos
Contains information for the following:
Video/Audio
Subcode (including timecode)
Insert and Track information (ITI)
Error correction
Image: DV tape sizes 2 (Uploaded by grm_wnr) CC BY-SA 3.0 via Wikimedia Commons
Variants
Image: DV tape sizes 2 (Uploaded by grm_wnr) CC BY-SA 3.0 via Wikimedia Commons
Reformatting Equipment
Connection
IEEE-1394
“Firewire” (Apple)
“i.Link” (Sony)
SMPTE 259M SDI (serial digital interface)
Image: DV tape sizes 2 (Uploaded by grm_wnr) CC BY-SA 3.0 via Wikimedia Commons
Capture Software
Live Capture Plus
Adobe Premiere Pro
SDK Tools
Artifacts and Defects
Mosquito noise
Quilting
Motion blocking
Dropouts
Banding/striping
Corrupt timecode
Open QC and Troubleshooting Tools
A/V Artifact Atlas
Resource for identifying errors and anomalies in video files
DVAnalyzer
Error detection and quality control
Temporal metadata reporting
Image: DV tape sizes 2 (Uploaded by grm_wnr) CC BY-SA 3.0 via Wikimedia Commons
DVAnalyser case studies
Image: DV tape sizes 2 (Uploaded by grm_wnr) CC BY-SA 3.0 via Wikimedia Commons
Application and experience at SMA
Additional Resources
Image: DV tape sizes 2 (Uploaded by grm_wnr) CC BY-SA 3.0 via Wikimedia Commons
1/4" Field Recordings: Watch out for Sync/Neopilotone!
(AKA Mistakes Were Made)
Image: DRs Kulturarvsprojekt from Copenhagen, Danmark (Nagra IV-S tape recorder Uploaded by palnatoke) CC BY-SA 2.0 via Wikimedia Commons
If tapes were recorded for use in a film production, they might have sync recorded on them!
Two sine waves recorded on center of tape in inverse to each other.
If played back on correct head configuration, sound cancels out.
If played back on wrong head configuration, audible hum is introduced!
Image: DRs Kulturarvsprojekt from Copenhagen, Danmark (Nagra IV-S tape recorder Uploaded by palnatoke) CC BY-SA 2.0 via Wikimedia Commons
Tapes with Nagra style sync must be played back on full track mono heads to cancel out sync! (Doesn't have to be Nagra machine though)
Problematic as many Archives have two track machines. This will cause hum for many sync recordings!
Image: DRs Kulturarvsprojekt from Copenhagen, Danmark (Nagra IV-S tape recorder Uploaded by palnatoke) CC BY-SA 2.0 via Wikimedia Commons
Sample audio: Generated 50 Hz sine wave and then combined it with sample from tape with Pilot tone. Yup! That hum is the same frequency - that is pilot tone leaking through - oops! (50 Hz as tape was from Adrian Cowell, a British producer. USA would be 60).
Resources:
Image: DRs Kulturarvsprojekt from Copenhagen, Danmark (Nagra IV-S tape recorder Uploaded by palnatoke) CC BY-SA 2.0 via Wikimedia Commons